King Men-Kau-Re, the goddess Hathor and the deified Hare nome
4th
Dynasty, reign of Men-Kau-Re, c.2551-2523 BC 
Giza, Men-Kau-Re Valley Temple 
Greywacke, h.84.5 cm, w.43.5 cm, d.49 cm 
Harvard University-Museum of Fine Arts Expedition 09.200
 
George Reisner discovered some of the finest Egyptian sculpture known to exist 
in the Men-Kau-Re Valley Temple [Reisner 1931, 34-54, 108-115]. An extraordinary pair statue of King 
Men-Kau-Re and a queen was unearthed there, as well as a series of triads, each depicting the king, the 
goddess Hathor, and a personified nome god.' The context and precise meaning of the triads is not well 
understood. According to an early theory, there were originally thirty or more, one for each of the 
thirty-odd nomes. Their presence in the pyramid complex guaranteed the deceased king a continuous supply 
of provisions from all regions of the country. A more recent interpretation is that there were eight 
sculptures, symbolizing the major sites associated with the cult of Hathor.
 
All together, four complete triads (MFA Boston 09.200, Cairo JE 46499, JE 
40678, and JE 40679), one incomplete triad (MFA Boston 11.3,47), and fragments from a sixth grouping 
were recovered from the site. 
 
The sensitively modelled and beautifully proportioned triad illustrated here is 
unique in that Hathor, rather than Men-Kau-Re, dominates the group by her central and forward position 
and larger scale. A major deity since Predynastic times, Hathor was the celestial mother of the sun 
calf, a guardian of the necropolis, and the protectress of the king. Depicted with gentle curves in 
contrast to the block seat and the rectangular slab in the hack, Hathor's left arm embraces Men-Kau-Re's 
waist while her right crosses her midsection to rest on the king's arm. This pose is the same (in 
reverse) as that of the queen in the pair statue from the same site. The goddess' face is full and 
round, with subtle modelling of the eyebrows, folds on the upper eyelids, a small mouth with puckered 
lips, and a chin that recedes slightly. Field photography shows black pigment on the eyebrows and around 
the eyes. The cosmetic lines extend outward, stopping at the end of the brow. Her headdress, a solar 
disc and cow horns, is prominently displayed above an incised, tripartite wig, but the jewellery that 
once adorned her sleeveless sheath dress - a wesekh broad-collar with teardrop pendants and a wide hand 
bracelet-have largely disappeared. The headdress was not in standard use until Dynasty 5. However, the 
solar disk, a symbol of the sun god Re, indicates the increased importance of this deity by the end of 
4th Dynasty.
 
Men-Kau-Re stands on Hathor's left with his left foot advanced. His remarkably 
individualized facial features-the prominent eyes, fleshy nose, moustache, and protruding lower lip are 
all characteristics recognizable on other representations of the king. Unlike the female figures in the 
group, Men-Kau-Re's musculature is well defined, giving the overall impression of a youthful, athletic, 
and forceful ruler. His arms are at his sides with the left hand holding a ritual cloth or staff while 
the right clasps a hafted, ceremonial mace." He wears the white crown of Upper Egypt, a false beard," 
and a pleated shendyt kilt with belt. A painted neck ornament in the form of a multi-strand, beaded 
collar and a pair of bracelets once completed his attire.'
Standing to Hathor's right is a personification of the Hermopolite or Hare nome. Each of ancient Egypt's 
nomes or provinces was associated with a male or female deity." This nome deity wears the Hare standard 
(a symbol of her district) on her head, and holds an ankh in her left hand. Carved into the base is an 
inscription that reads: "The Horus Kakhet, King of Upper and Lower Egypt, Men-Kau-Re, beloved of Hathor, 
Mistress of the Sycamore. Recitation - "I have given you all good things, all offerings, and all provisions 
in Upper Egypt, forever."'